The Two Kinds of Decay

The first word that initially came to mind after reading Sarah Manguso's book, The Two Kinds of Decay, was "stark." The subject matter could be what brought that word to mind. Add to that, the author's treatment of her memoir as distanced, if not clinical. Her writing is very controlled. She also shirks sentimentalities effectively, despite the painful and personal nature of the material. Further, the short chapters, block paragraphs, and abundance of white space seem to form a visual context of strict form.

These are a poet's tools, without a doubt. Though the style of the piece, its voice, and tone initially threw me, I appreciate the tools Manguso used a lot more now. She is consistent and uses her devices deftly and with purpose.

Manguso describes, studiously, with clarity and concision, medical procedures, characters and events from her life, her confessions, as well as the hows of living with a rare form of Guillain--Barre syndrome. The book could be a sort of polished journal in which she writes with disregard to time and instead writes in what sequence the details make sense to her. The book is a recounting, wound tightly to a couple of principles which I can very much appreciate and relate. She writes constantly from the point of observation, distance, and simply, so that nothing is missed and the reader is held close to the text until the end. In the end, the reader is not left with a hole, or depressed, and not even with apathy, but with a new way of seeing that the author herself has come to and shown quite well.

The book is poetic in a meaning-follows-form kind of way. The crisp precision of Manguso's narrative, the observant distance with which she relates her story, the segments of short chapters and blocked paragraphs which reveal a bounty of white space on the pages, and the chapter titles around which the author seems to write certain memories as if they were prompts, come to mind. I would even argue that there is a poetic turn where Manguso explains a way of seeing that has become a part of this work:

My existence shrank from an arrow of light pointing into the future forever to a speck of light that was the present moment. I got better at living in that point of light, making the world into that point. I paid close attention to it. I loved it very much.

Further, an affirmation that the author is very studied in her treatment of the material. She writes a note about how such things (memoirs) should be written:

I resisted as long as I could. A narrator must keep a safe distance from the story, but a lyric speaker must occupy the lyric moment as if it is happening. Or so it seems to me at this moment.

I believe that Sarah Manguso has done the job she has described above well. Because of this work, I have ordered her books of poems and am anxious to read them soon.

originally published for Explication. Analysis. Conversation. (http://explicanalyconvo.blogspot.com/), October 16, 2010 and crossposted at GoodReads (http://www.goodreads.com/review/show/126421469).